Pack wisely before traveling

A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now.

When, while the lovely valley teems with

vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of blist.

I sink under the weight of the splendour of these visions!A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which

I sink under the weight of the splendour of these visions!A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquis

I throw myself down among the tall grass

I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and
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Text, that where it came from it

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar. The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Littl

  • Far far away, behind the word mountain
  • When she reached the first hills
  • A small river named Duden flows
  • A small river named Duden flows by their plat.
  • Far far away, behind the word mountain

Copy Writers ambushed her, made her drunk with Longe and Parole and dragged her into their agency, where they abused her for their projects again and again. And if she hasn’t been rewritten, then they are still using her.Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their plate.

Why You Must Visit Ayodhya?

Why You Must Visit Ayodhya?

Why Visit Ayodhya?

Sri Parthasarathy swamy Temple in Chennai

The Parthasarathy Temple is an 8th-century Hindu Vaishnavite temple dedicated to the Lord Vishnu, located at Thiruvallikeni, Chennai, India. The temple is glorified in the Divya Prabandha, the early medieval Tamil literature canon of the Alvar saints from the 6th–9th centuries CE and is classified as among the 108 Divya Desams dedicated to Vishnu. The name ‘Parthasarathy’, in Tamil, means the ‘charioteer of Arjuna’, referring to Krishna’s role as a charioteer to Arjuna in the epic Mahabaratha.

It was originally built by the Pallavas in the 8th century by king Narasimhavarman I. The temple has icons of five forms of Vishnu: Narasimha, Rama, Gajendra Varadaraja, Ranganatha and Krishna. The temple is one of the oldest structures in Chennai. There are shrines for Vedavalli Thayar, Ranganatha, Rama, Gajendra Varadaraja, Narasimha, Andal, Hanuman, Alvars, Ramanuja, Swami Manavala Mamunigal and Vedanthachariar. The temple subscribes to Vaikhanasa agama and follows Thenkalai tradition. There are separate entrances for the Krishna and Narasimha temples. The gopuram (towers) and mandapas (pillars) are decorated with elaborate carvings, a standard feature of South Indian Temple Architecture.

Parthasarathy Temple History

The temple was originally built by the Pallavas in the 8th century, subsequently expanded by Cholas and later by the Vijayanagara kings in the 15th century. The temple has several inscriptions dating from the 8th century in Tamil and Telugu presumably from the period of Dantivarman, who was a Vishnu devotee. Thirumangai Alvar, the 9th century alvar also attributes the building of temple to the Pallava king. From the internal references of the temple, it appears that the temple was restored during 1564 CE when new shrines were built. In later years, endowments of villages and gardens have enriched the temple. The temple also has inscriptions about the Pallava king, Nandivarman of the 8th Century.

The temple was extensively built during the Chola period and a lot of inscriptions dating back to the same period are found here. The outer most mandapam is replete with sculptures of various forms of Vishnu, especially the avatars. One can also see inscriptions of Dantivarma Pallava of the 8th century, Chola and Vijayanagara in the temple. The first architectural expansion of the temple took place during the reign of the Pallavas (Tondaiyar Kon) as vividly described by Tirumangai Azhwar. Reminiscent of this is the inscription of the Pallava King Dantivarman (796-847 A.D.), which is preserved in the temple.

The temple witnessed a major expansion during the rule of the Vijayanagar kings like Sadasiva Raya, Sriranga Raya and Venkatapati Raya II (16th century). Many subshrines and pillared pavilions (mandapas) like the Tiruvaimozhi Mandapa were added.

A Pallava king built the present temple in the eighth century. The gopuram was also built by a Pallava king – Tondaiman Chakravarthy. There are inscriptions that record the contributions of the Chola kings Raja Raja and Kulottunga III, Pandya King Maravarman and many rulers of the Vijayanagar dynasty including Ramaraja Venkatapathiraja and Vira Venkatapathy. For a while the East India Company administered the temple.

The pushkarani is called Kairavani and five sacred teerthams are believed to surround the tank – Indra, Soma, Agni, Meena and Vishnu. Seven rishis – Bhrigu, Atri, Marichi, Markandeya, Sumati, Saptaroma and Jabali – performed penance here. All five deities in the temple have been extolled by Tirumangai Azhvar. There is also a separate shrine for Andal, one of the 12 Alvars who is also considered as a consort to the presiding deity.

It is one of the very few shrines in the country dedicated to Krishna as Parthasarathy, charioteer of Arjuna and to contains idols of three avatars of Vishnu: Narasimha, Rama, and Krishna.

Unusually, he is depicted with a prominent moustache and carries a conch in his hand. Also unusual is the iconographical combination found in the sanctum. Here, Krishna is seen standing with consort Rukmini, elder brother Balarama, younger brother Satyaki, son Pradyumna and grandson Aniruddha. Because of the association of the temple with Krishna, Tiruvallikeni came to be regarded as the Southern Vrindavana. He also mentioned about the Telliya Singar shrine within the temple.

Parthasarathy Temple Darshan, Sevas and Festivals

The temple is administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu. The temple follows the traditions of the Thenkalai sect of Vaishnavite tradition and follows vaikanasa aagama. The temple has grand brahmotsavams (big festival) for Sri Parthasarathy swami during the Tamil month of Chittirai (April–May), on the same month Udayavar uthsavam is also celebrated.

As per Sri Pillailogam Jeeyar Swamy in his work “Ramanuja Divya Charithai” it is stated that Sri Asoori Kesava Somayaji, father of Sri Ramanuja, performed Putrakaameshti Yagam at Kairavini the temple pond at Thiruvallikeni, and prayed to Sri Parthasarathy to bless him with a son. Sri Parthasarathy appeared in the dreams of Sri Asoori Kesava Somayaji and promised he will be born as his son to impart teachings of his Gita for the benefit of mankind. Bhagavad Gita Bhāshya (a review and commentary on the Bhagavad Gita),was later written by Sri Ramanuja. In conformity of the above tradition during the annual festival, unlike other Alwars and Acharyas, Sri Ramanuja has independent processions both in the morning and evening.

In the month of Vaigasi, Sri Varadarajar uthsavam, Sri Nammalwar uthsavam (vaigasi-visagam) and Vasanthothsavam are celebrated. Sri Azhagiyasingar (Lord Narashimha) during the Tamil month of Aani (June–July). So uniquely two Bhrammotsavams are performed here annually. There are also festivals for Ramanuja (April–May) and Manavalamamunigal (Oct-Nov) besides festivals for Alvars and Acharyas. Vaikunta Ekadesi and during the Tamil month of Margazhi (December–January) draws lot of pilgrims.

Kapaleeshwarar Temple in Chennai

Kapaleeshwarar Temple is a Hindu temple dedicated to lord Shiva located in Mylapore, Chennai in the Indian state of Tamil Nadu. The form of Shiva’s consort Parvati worshipped at this temple is called Karpagambal is from Tamil (“Goddess of the Wish-Yielding Tree”). The temple is the most ancient one that has been built around the 7th century CE in Dravidian architecture.

According to the Puranas, Shakti worshipped Shiva in the form of a peacock, giving the vernacular name Mylai (Mayilāi) to the area that developed around the temple – mayil is Tamil for “peacock”. Shiva is worshiped as Kapaleeswarar, and is represented by the lingam. His consort Parvati is depicted as Karpagambal. The presiding deity is revered in the 7th century Tamil Saiva canonical work, the Tevaram, written by Tamil saint poets known as the Nayanars and classified as Paadal Petra Sthalam.

The temple has numerous shrines, with those of Kapaleeswarar and Karpagambal being the most prominent. The temple complex houses many halls. The temple has six daily rituals at various times from 5:30 a.m. to 10 p.m., and four yearly festivals on its calendar. The Arubathimooval festival celebrated during the Tamil month of Panguni is the most prominent festival in the temple.

The present masonry structure was built during the Vijayanagar rulers of the Tuluva Dynasty (1491–1570 CE)[citation needed]. The temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.

Kapaleeshwarar Temple History:

The commonly held view is that the temple was built in the 7th century CE by the ruling Pallavas. This view is based on references to the temple in the hymns of the Nayanars (which, however, place it by a sea shore). Thirugnanasambandar’s 6th song in Poompavaipathikam and Arunagirinathar’s 697th song in Thirumylai Thirupugazh, make clear reference to the Kapaleeswarar temple being located by a seashore. There are inscriptions dating back to 12th century inside the temple. The temple’s 120 ft gopuram (gateway tower) was built during 1906 with stucco figures adorning it. The temple is maintained and administered by the Hindu Religious and Endowment Board of the Government of Tamil Nadu.

Kapaleeshwarar Temple Festivals

During the Tamil month of Panguni, the traditional brahmotsavam (annual festival) takes place when the entire neighborhood comes alive with a mela (carnival)-like atmosphere. Since this month corresponds to the mid-March to mid-April duration, the Kapaleeshwarar temple celebrates the nine day-long as Panguni Peruvizha (Spring festival). The festival starts with Dwajarohanam (flag hoisting), includes the therotsavam, (Tamil, ther, “car/chariot”; utsavam, “festival”), Arupathimoovar festival and concludes with the Tirukkalyanam (Marriage of Kapaleeswarar & Karpagambal). In Brahmotsavam, the idols of Kapaleeshwarar and Karpagambal are decorated with clothes and jewels, are mounted on a vahana, and then taken around the temple and its water tank in a pradakshinam (a clockwise path when seen from above). This is repeated with different vahanas over the next nine days. The more important of the individual pradakshinams are the Athigara Nandhi on the third day, the Rishaba Vahanam on the midnight of the fifth day, the ther (about 13 meters in height and pulled by people) on the seventh morning, and the Arupathimoovar festival on the eighth day.

The Arupathimoovar festival is the most important procession.[6] It is named after the sixty-three Nayanmars who have attained salvation by their love & devotion to the all-compassionate Lord Shiva. All sixty-three Nayanmar idols follow the Kapaleeshwarar idol on this procession. During the car festival, Kapaleeshwarar is depicted holding a bow while seated on a throne, with his wife Karpagambal alongside. Brahma is depicted riding the ther. The chariot is decorated with flowers and statues, and there are huge gatherings of devotees to pull the ther. The car festival of 1968 is documented in the documentary film Phantom India by Louis Malle.

Parthasarathy Temple of Lord Krishna in Aranmula

Parthasarathy Temple tops to be one of the must-visit temples in the whole of Kerala dedicated to Lord Krishna (the incarnation of Vishnu). Here, you’ll find Krishna referred to be called as Parthasarathy because of his character in the epic tale of Mahabharata. Apart from adoring the architecture of the temple, you can also attend the Valla Sadya, during which a snake boat race in Pampa River can be witnessed.

  • Main Deity: Lord Krishna (incarnation of Vishnu)
  • Place: Aranmula
  • Highlight: Valla Sadya is held at Aranmula in Parthasarathy Temple during Ashtami Rohini (Krishna Janmashtami) in the month of September.

Murugeshpalya Shiva Temple – Bengaluru

The Shiva temple is located on the Old Airport Road behind Kemp Fort in Bangalore. Kemp fort Shiva temple has one of the largest statue of Lord Shiva in sitting posture. The 65-feet tall Shiva statue was inaugurated in 1995 and now it becomes one of the most popular Lord Shiva temple in India.

Ekambareswarar Temple – Kanchipuram

Ekambareswarar Temple is the largest temple in Kanchipuram and has one of the tallest gopurams in India. The temple is one of the five most famous Shiva temple of South India together known as Pancha Bhoota Stalam.

Chengannur Mahadeva Temple – Chengannur

Chengannur Mahadeva Temple is one of the major Shiva temples in Kerala, located in the town of Chengannur. The temple built in Kerala style architecture and famous for Thiruppooth Aratt festival celebrated in March every year.

Hoysaleswara Temple – Halebid

Hoysaleswara temple is dedicated to Lord Shiva,built in Halebidu during the rule of King Vishnuvardhana. The temple most well known for its sculptures and exquisite architecture.

Sangameshwara Temple – Alampur

Sangameshwara Temple was built during the Chalukya reign at the Sangam point of Krishna and the Thungabhadra rivers. The temple is fine example of Chalukyan grandeur and Shiva is known as The Lord of the confluence.

Mallikarjuna Temple – Basaralu

Mallikarjuna Temple is located in Basaralu town of Mandya district in Karnataka. This temple is highly ornate example of Hoysala architecture and protected as a monument of national importance by the Archaeological Survey of India.